In the Wasssolon area the Djagbe (4/4) is is a rhythm often played at different occasions
IntroT | . | T | T | . | T | . | T | T | . | T | . | T | . | . | . | ||||
f. | . | r | l | . | l | . | l | r | . | r | . | r | . | . | . |
O | . | . | . | . | . | O | . | O | . | . | . | . | . | O | . | ||||
x | . | x | x | . | x | x | . | x | . | x | x | . | x | x | . |
O | . | . | . | O | . | . | . | O | . | . | . | O | . | . | . | ||||
x | . | x | . | x | . | x | . | x | . | x | . | x | . | x | . |
C | . | o | O | . | O | . | o | O | . | O | . | . | C | . | . | ||||
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C | . | o | O | . | O | . | . | C | . | o | O | . | O | . | . | ||||
x | . | x | x | . | x | . | x | x | . | x | x | . | x | . | x |
. | . | O | O | . | . | . | . | . | . | O | . | . | . | . | . | ||||
x | . | x | x | . | x | . | x | x | . | x | . | x | x | . | x |
. | . | O | O | . | . | . | . | . | . | O | . | . | O | . | . | ||||
x | . | x | x | . | x | . | x | x | . | x | . | x | x | . | x |
O | . | . | O | . | . | . | . | . | . | O | . | . | . | . | . | ||||
x | . | x | x | . | x | . | x | x | . | x | . | x | x | . | x |
. | . | O | O | . | . | . | . | . | . | O | . | O | O | . | O | ||||
x | . | x | x | . | x | . | x | x | . | x | . | x | x | . | x |
O | . | O | O | . | O | . | O | O | . | O | . | O | O | . | O | ||||
x | . | x | x | . | x | . | x | x | . | x | . | x | x | . | x |
O | . | O | O | . | O | . | O | O | . | O | . | . | . | . | . | ||||
x | . | x | .x | . | x | . | x | x | . | x | . | x | x | . | x |
B | . | T | T | . | S | . | . | . | . | T | T | . | S | . | . | ||||
r | . | r | l | . | l | . | . | . | . | r | l | . | l | . | . |
B | . | T | T | . | B | S | . | B | . | T | T | . | B | S | . | ||||
r | . | r | l | . | l | r | . | r | . | r | l | . | l | r | . |
T | T | . | B | S | S | B | . | S | S | . | B | S | S | B | . | ||||
r | l | . | l | r | l | r | . | r | l | . | l | r | l | r | . |
S | . | . | S | S | . | T | T | S | . | . | S | S | . | T | T | ||||
r | . | . | l | r | . | r | l | r | . | . | l | r | . | r | l |
. | T | T | T | . | S | S | S | . | T | T | T | . | S | S | . | ||||
. | l | r | l | . | l | r | l | . | l | r | l | . | l | r | . |
T | T | S | S | . | . | S | S | B | . | S | S | . | . | S | S | ||||
r | l | l | r | . | . | r | l | r | . | r | l | . | . | r | l |
for a really "Djagbe-sound" it's nice to pull the first two tones a little bit together in the solo accompagnement 2.